Genius music practice where does it come from

Where does music come from?

How can we explain the vast differences in musical ability? How can one species produce Paul Simon and William Hung? Are we born with musical talent, or do we develop it? Let's sort through the research:

* Primitive musicality is, without question, built into our DNA 
- Two-day old infants show a preference for some music over others (N. Masataka, 1999).
- Nearly all infants babble with melody and intonation (Gardner, 1997, p. 251).
- At 1, children can often match pitch (Kessen, Levine & Peindich, 1978).
- At 1 1/2, children engage in spontaneous song (Kessen, Levine & Peindich, 1978)
- At 2 1/2, children show extended awareness of songs by others (Davidson, 1994, in R. Aiello)

While these early developments can be influenced by outside events, they clearly unfold according to a genetic blueprint.

We cannot say the same for the next phase of development:

* Beyond primitive ability, even basic musical development requires some modicum of encouragement and teaching.
- "Musical development continues beyond the age of 7 or so only in an environment that provides some sort of tutelage." (Gardner, 1997, p. 253;Gardner, 1973; Winner, 1982)
- Absolute ("perfect") pitch is not a genetic accident or random occurrence, but is developed in young childhood under specific external conditions (D. Deutsch, 2004; Takeuchi & Hulse, 1993).

Then, to take it to the next level, aspiring musicians need true instruction and a work ethic:

* Advanced musicianship requires methodical training and "deliberate practice"
- "Talent proves of no avail in the absence of thousands of hours of practice distributed over a decade or more, as the youngster gains facility in various first- and second-order musical symbol systems. (Gardner, 1997, p. 256).
- The very best professional musicians practice the most and the smartest compared to the next best group of professional musicians, who in turn practice more and better than the third-best group (Ericsson et al, 1993). Top musicians consistently require about ten years and 10,000 hours of practice to achieve the height of their virtuoso skill-level.
- Among student musicians, the best ones also practice more than the next-best, who practice more and better than the ones who eventually drop out (Sloboda, Davidson, Howe, and Moore, 1996).
- raining, and to an individual's level of ambition/determination.

* Musical training physically alters the brain. Accomplished musicians have key differences in their brains -- not from birth but as a direct result of training.
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 The point that I think shines through in all this research is that we need to sweep aside this old notion that most people simply don't have IT. The IT -- the greatness -- is something you acquire, not something you are given or are not given. Some may face too many obstacles to acquire IT but few are born with limitations so severe that the acquisition is inherently impossible.

My entire point is this. If you're not there yet, it does not mean you can't get there. Passion + Practice + Persistence + Hard work = IT.

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Atlanta #1 in child sex slavery: It's got to stop.

  I have never come close to having the passion I have for this ministry. The thought of child slavery makes me sick. We at AMP want to help stop this travesty. Help us and Streetlight Ministry bring awareness to this awful demonic activity. We must stop this. If you feel the same, go to comment on the blog, leave your info and we will get back to you asap on how you can help. Don't wait on somebody else; do put an end to this. It's been going on here way too long, and still happening every day.  Children are hurting!!!!!!!!!!!!!!
     AMP is partnering with Streetlight to put an end to this. We need your help!

Take no part in the unfruitful works of darkness, but instead expose them. ~Ephesians 5:11

I have been a follower of Jesus for 14 years. I have taught and served as Chaplain at a Christian High School, served as a Youth Pastor, as an Associate Pastor and now as the Pastor / Planter of Midtown Church in Atlanta. Until last year I thought I understood evil and the work of Satan but what I have learned about Sex Trafficking and in particular Child Sex Trafficking has changed my perspective.

Metro Atlanta is the #1 market for child sex trafficking per capita in the USA, #13 in the world! 500 girls are exploited in Metro Atlanta every month. 7200 men pay for sex with adolescent females in Georgia each month. 90% of runaways become part of the sex trade. The average life expectancy of a child after getting into the sex trade is seven years! Street Gangs are becoming more and more involved in sex trafficking, bringing a new level of violence and control to the situation.

How did I not know anything about all of this prior to twelve months ago? I live in the city and have been leading a Christian community for six years. Well if you are anything like me you are aware of prostitution and you have some idea of where it happens but since you are not a part of that world you don't see it or know the depth of it. As I began to have God open my eyes to this unspeakable evil, I became heartbroken by what I have learned. Children are being sold as sex slaves all around us. It is a hidden world, so unspeakably evil it has to be totally hidden, but it is as real as your son or daughter. I have two teenage daughters, and knowing that someone's child is having this done to them is unbearable. When I had heard enough that I felt I needed to act, God led me to collaborate with some others to start 'STREETLIGHTS'.

STREETLIGHTS is a community of artists and non-profit groups who are committed to fighting this inhuman evil here in Atlanta and around the world. After talking with some people who have been involved in this fight for a while I became convinced of the need to raise awareness about this issue and activate people to volunteer and finance groups who are working in different areas of this problem.

Beginning last July Streetlights has put on three events to begin making a dent in the lack of awareness the general public has regarding this issue. The events feature live performances by visual artists, spoken word artists, music acts and dancers who have been gripped by this issue. Interspersed in the performances are representative of the groups involved sharing their heart about why they are in this fight. After the show we have a ministry fair to allow people to contribute and volunteer on the spot!

It is not enough for you and I to not participate in the evil that is child sex trafficking; we must expose this work of Satan. The destruction of lives and entire families that reaches through generations is what Satan is doing. Those who are trafficked, those who purchase them, and those who sell children for sex are all de-humanized in the process.

I believe Jesus' Church must lead this fight because we can not only expose the works of darkness but also shine the light of the gospel. The cure for this epidemic is Jesus!

Streetlight needs artists who can leverage their popularity to add their voice to this cause. What can you think of that is more important to stop? Can you be that artist? Do you know that artist? Can you help us by volunteering with us or another group in the fight?

Please take some time to look into this and once you have you will need to do something. I look forward to you joining us!

Todd Briggs

Pastor, MIDTOWN CHURCH

www.streetlightsatl.com

www.midtownchurch.com

Sunday Morning Christian Recording Artist Testimony

Michael Sweet's Testimony Michael Sweet's Testimony - Recording Artist: Sweet is the co-founder and front man of the legendary Christian metal band Stryper.  Stryper, which stands for Salvation Through Redemption Yielding Peace, Encouragement and Righteousness, is derived from Isaiah 53:5 (KJV): “But he was wounded for our transgressions, he was bruised for our iniquities: the chastisement of our peace was upon him; and with his stripes we are healed.” Originally known as Roxx Regime, the band is considered a pioneer in popularizing Christian rock music in the mainstream.  Since its inception in 1983, Stryper has sold more than 8 million records worldwide with several projects reaching gold status.  The group’s unprecedented 1986 album To Hell with the Devil went platinum and was named one of the “100 Greatest Albums in Christian Music” by CCM Magazine in 2001. Stryper has garnered seven RIAA Awards, two Dove Awards and 2 Golden Reel Awards.  The band’s latest album, Reborn, was released in 2005. Sweet has also released four solo albums - his self-titled first release was voted “Favorite Album” in the CCM Readers Awards.  His latest worship-oriented disc, Him, is a powerful revamping of timeless standards of the Christian faith (www.michaelsweet.com,www.stryper.com). ----- Nobody who was around our band when we started out could deny that God is absolutely real.   We woke up to miracles every day and witnessed things that never could have happened without His intervention.  We saw homeless drug addicts strung out on heroine take their syringes out, break them and throw them in the trash can.  Then we witnessed them give their lives to Christ and be healed and cleaned at that very moment. When I was growing up we weren’t a family that went to church on a regular basis – it was maybe a once a year event.  So it was surprising when my 15-year-old brother began tuning into televangelist Jimmy Swaggart, who at the time was packing out arenas.   Robert watched the program twice a week, every single week, and was really drawn into it.  Eventually, he convinced the whole family to watch with him. One night as an invitation was given to accept Christ at the end of the program we all kind of looked at each other and said, “Let’s do this.”  We bowed our heads, said the Sinner’s Prayer and gave our lives to Christ. It was pretty amazing. Right after that, we found a small local church and got involved with the music.  Unfortunately, after a few years of that going to church 2-3 times per week, Robert and I started getting into things that many teenagers get involved with like drinking and partying.  At that time we had a band and the influences all around us started to play a much larger role in our lives. Even though we went to church and loved it, the other side – the more “worldly” side of life took its toll and grabbed a hold of us. From the time I was 14 until I was 19 our band played the whole club scene in Hollywood.  Week after week we were one of the house bands along with groups like “Ratt” and “Motley Crue.” The name of our band was “Roxx Regime,” and it was me, my brother Robert and guitarist Oz Fox. We just kind of did our thing. I guess in comparison to hardcore drug addicts we were pretty tame, but we were drinking and experimenting with drugs, and it got to the point where we were going out partying every other night. We just kind of got caught up in and blinded by the lifestyle.  Even though we knew what was true and what was false and we knew there was a God and there was a devil, we found ourselves living very much outside of our belief system. One night between sets at a gig, we went out on the sidewalk on Sunset Strip to take a break. Some people came up to us and gave us Christian flyers and witnessed and shared their faith with us. After a while it felt like a knife going straight through my heart ― I was thinking, I believed in this once… A few days later I was in the rehearsal studio with the guys when in walked Kenny Metcalf.   We had done some shows with Kenny on occasion; he was known around town for being a partier and a drug user. We hadn’t seen him for a long time and he looked so different.  He was positively glowing ― he had a huge smile on his face and his eyes were sparkling.  He was absolutely radiant.  We’d never seen Kenny like that before. We played some music for a while and when we stopped and took a break, Kenny shared with us that he’d committed his life to Christ.  What he said next set everything in motion.  He said he knew we had walked with the Lord at one point but had walked away.  “If you give your lives and your music and your band and all that you do back to God He’s going to do some incredible things with you guys.” Kenny reminded us that we’d fallen away.  It’s fascinating to me because not only had Robert and I accepted Christ at an early age, but so had Oz. His mother had been involved in a Pentecostal church in the area and he’d gone to church on a regular basis just like we had.  Then he got into the band Black Sabbath and wound up doing too much partying… just like we had.  We had a lot in common, including the fact that we had all walked away from our faith. After we spoke with Kenny Metcalf I felt very convicted and knew I had to make some changes.  As a group, we decided to commit the band to Christ and from that moment on, things snowballed. We’d had our eye on one particular bass player named Tim Gaines who we thought would round out our group perfectly.  To us, he was the dream bassist; he looked great, he was an amazing player and he had great gear.  He was an ideal fit for our band.  But unfortunately, he was already in a band called Stormer. One day we were looking through a magazine and saw a photo of Stormer but Tim wasn’t in the picture.  It was a surprise because he had been with the band for years.  My brother did some investigating and got his phone number and called his home.  When Tim’s mother picked up the telephone Robert said, “We’re three Christian guys in a band called Roxx Regime and we want to play music for God.” Now, Stormer was a band that was totally on the other side… a long way from being a faith-oriented.  So imagine our surprise when Tim’s mother said he had left the band because he’d committed his life to Christ!  Oz and I were standing over Robert’s shoulder listening in; it was one of those moments where the hairs on your arm stand up and you get chills.  We couldn’t believe how God was putting it all together! Tim came down to meet us the next day and joined the band.  From that moment on, we made a commitment to devote our lives – and our music – 100% to God.  After that we no longer felt like we were Roxx Regime – we were a brand new creation and needed a new name. This time we wanted a name with meaning that represented Christ. We came up with the name “Stryper” so every time people saw the name they would be reminded of Isaiah 53:5: “By His stripes we are healed.” That Scripture is basically what our stripes signify ― what Christ went through when He was beaten and nailed to the cross. So many incredibly miraculous things took place and shape and form after that. We started doing a lot of local shows with different bands.  A woman named Darin Hinton came to one of those shows because she had heard about us.  There was quite a buzz surrounding the band at that time; we were in all the local papers and magazines… people were just trying to figure out who the heck we were, why we were selling out clubs and what the buzz was all about. Well, Darin loved the band so much that she decided she wanted to get behind it.  It was incredible, she didn’t know us from Adam and she just pulled out her checkbook and invested $100,000 in the band.  Her financial support bought us a bunch of really nice equipment and put us in the studio.  Because of her generosity, we were able to record our first album, “Yellow and Black Attack.”  How could that not be a miracle? That’s just one of a hundred stories of how God showed up in our lives … every single day something like that happened. Each morning we’d wake up and say, “What’s going to happen today?” “Yellow and Black Attack” got the attention of Enigma Records, a big mainstream label.  They asked us to do a showcase for them so they could hear us play live.  We rented out a warehouse, set up a PA system and did a show just for them ― like a private mini concert for label staff.  There were maybe about 20 people in the audience.  It was very intimidating and we were of course very nervous, but they wound up really liking the band. The funny thing is, we were so loud and the PA system was so poor that they couldn’t understand the lyrics.  But even though they didn’t get the words, they liked the band enough to sign us.  It wasn’t until after the negotiations were complete and the contract was signed that they found out we were a Christian band.  Now understand that this was far from a Christian label… they handled bands like Motley Crue and Poison, not a bunch of guys who rocked about Jesus.  They actually didn’t want to continue on with the band and regretted having signed us. But they decided to grin and bear it and God blessed our work so much that only three or four years later we were their biggest selling band.   It’s pretty wild. Handling a Christian band was a pretty new experience for most of the people at the label.  I remember going to Burger King with the president of Enigma after one of our concerts.  There was a homeless guy out front who was completely whacked out.  We went and laid hands on him and prayed over him and he was literally a changed man.  The president of the label witnessed what happened and it blew him away.  He turned white as a ghost and had the most astonished look on this face.  He’d never experienced anything like that before.  At that moment he started to commit his life to Christ because he saw that it was real. The entire journey was amazing … God just kept opening doors right and left.  No other Christian rock band could get airplay on MTV but God opened the door for that to happen.  It wasn’t because we were special and it wasn’t because we were better than anyone else. It was only because ― and I say this from the bottom of my heart ― because we were devoted to prayer and we were devoted to God.  We woke up and started our day with prayer, we prayed before every show and we prayed before every recording. It was all about prayer and belief and faith.  And because of that, God blessed it.  That’s the only reason why. Every single day we saw how real God was, because miracles were happening all around us.  It was just impossible to deny it. We normally played at secular venues – that was our market.  It was a strange experience to walk out onstage in a huge arena and smell pot in the air and see the majority of the people drinking.   There were times when the aroma was so strong we had to have been high ourselves. Not everybody was partying though, but at least two-thirds of the crowd was made up of non-Christians, people that probably went to see bands like Bon Jovi the night before. Inevitably, the audience would go from a rowdy, partying crowd to a passive group sitting at attention listening to our music.  And then to see 12,000 people say the Sinner’s Prayer together at the end of our show was awe-inspiring. We took a lot of heat from the traditional Christian community because we played mainstream, secular venues rather than playing churches and Christian concert events.  Not only did we play these venues, but we had secular heavy metal bands open for us.  But that’s really what we were called to do. Our ministry was about having these bands open and bring in their crowd so we had an opportunity to share with them.  A lot of people in the church just couldn’t comprehend that. We’ve always felt that it was our job to be a light in the world so unbelievers had an opportunity to hear the Gospel in way they could relate to.   There’s a gray area of course and we would be crossing the line if we went out to these venues with the intent of reaching out to them but still participated in the same things they do, like drinking and drugs. But that’s true for all Christians.  If you hang out with 10 non-Christians at a dinner party and and get drunk and swear and do everything they do, then you’re not being an example of Christ.  That’s obviously hypocrisy.  But if you’re going out with those people and you’re being an example and you’re letting Christ shine through you, they’re going to walk away remembering that.  That’s our ministry, that’s what we’ve always been about; to hang out with people who don’t know Christ,  whether they are another band or in the audience.

A $64,000 Question Still Needs an Answer

Earlier today, a few staff members at AMP (including myself) had the distinct pleasure of meeting Darryl Knight, a true pioneer in both the mobile media and social media industries. For a little more than the past decade, Mr. Knight has been involved with a multitude of early-stage companies with impressive success stories. Indeed, he truly was "Mr. Social-Mobile" before the the terms Mobile Media and Social Media were even coined.

In 2001, Mr. Knight founded Arizan Corporation which was a well-known early entrant into the Mobile Internet. The company developed a content platform  for email attachments which was subsequently acquired by RIM 18 months later to the satisfaction of all parties involved.


His success with Arizan led to a number of similar success stories with mobile and social media innovators over the last ten years.  These days, Mr. Knight is the consummate "serial entrepreneur," holding different leadership positions at a number of companies including Wapple.net, MobileNext Group and Hope Now Ministries USA.


As soon as the meeting started, it was easy to understand the formula for his repeated success.  He is incredibly insightful, polite and charismatic, an expert in all facets of both industries and, most of all, down to earth.  He insisted we cut the formalities and call him Darryl.


Throughout the meeting, Darryl was very inquisitive about AMP and what our experts see for the future of the music industry.  He fired question after question at us in a truly engaging conversation.


As the meeting came to an end, Darryl asked a question which completely silenced us at first. "If the Association of Music Professionals were were a person rather than a trade enterprise, how would you describe them and what qualities would they possess?"


After a brief minute, I finally spoke up and broke the silence for our team, "AMP is a membership association representing a very diverse and rapidly evolving industry.  And, our members come first.  We really would have to ask our members who best represents them and their own personal qualities before we can best answer your question."


With that our meeting concluded.  However, I promised to get back with Darryl with an answer to his provocative question.


So what do you, our members and followers, think?  Given the present level of uncertainty in the music industry, what one person (real or fictional) could best lead us out of the darkness and in to the light?  Better still, what are YOUR best personal qualities and what's driving YOUR career in the music industry?  Movers and shakers are curious to know!

6 Reasons Mobile Media Matters When Marketing Your Music

Most music artists of our generation recognize the importance of the Internet in propelling their careers. Websites and social media tools like Twitter and Facebook enable artists to easily connect with fans, industry talent executives and the media like never before. Chances are you’re already using these tools to market yourself.


That said, the days of needing a big, clunky PC to surf the web are far behind us. Internet access has expanded dramatically, with Wireless technologies making the Internet accessible from almost anywhere in the world.

This means that more and more people are using mobile devices to stay connected while on the move. Although laptop computers have contributed to the portability of the net, nothing has made more of a contribution than that of the smart phone. The smart phone (e.g. iPhone, Android and Blackberry) has literally revolutionized mobile Internet access for billions of users.

And, while the growth of the mobile web has been exponential, we’re still just at the beginning of this cycle. A recent study by the investment bank Morgan Stanley suggests that, based on the current rate of change and adoption, the mobile web will be bigger than desktop Internet use by 2015.

What does this mean to you? It means that if you still plan to have a career in the music industry in 2015 and beyond, you absolutely need to have a sound mobile marketing strategy.


Mobile Website or Mobile App: what's the difference?

Mobile websites and apps can look very similar at first-glance. Both apps and mobile websites are accessed on handheld devices such as smartphones. and tablets. Nevertheless, they serve entirely different purposes.

A mobile website is similar to any other website in that it consists of browser-based HTML pages that are linked together and accessed over the Internet. The obvious characteristic that distinguishes a mobile website from a standard website is the fact that it is designed for the smaller handheld display and touch-screen interface.

Like any website, mobile websites can display text content, data, images and video. They can also access mobile-specific features such as click-to-call (to dial a phone number) or location-based mapping.

On the other hand, apps are actual computer applications that are downloaded and installed on your mobile device, rather than being rendered within a browser. Users visit device-specific portals such as Apple’s App Store, Android Market, or Blackberry App World in order to find and download apps for a given operating system.

The app may pull content and data from the Internet, in similar fashion to a website, or it may download the content so that it can be accessed without an Internet connection.

For the purpose of establishing your career, a mobile website is almost always going to make sense as a practical first step in your mobile outreach strategy. This is because a mobile website has a number of inherent advantages over apps:

• Immediacy – Mobile Websites Are Instantly Available

A mobile website is instantly accessible to users via a browser across a range of devices (iPhone, Android, BlackBerry, etc). Apps on the other hand require the user to first download and install the app from an app marketplace before the content or application can be viewed - a significant barrier between initial engagement and action/conversion.

• Compatibility – Mobile Websites are Compatible Across Devices

A single mobile website can reach users across many different types of mobile devices, whereas native apps require a separate version to be developed for each type of device.

•  Upgradability – Mobile Websites Can Be Updated Instantly

A mobile website is much more dynamic than an app in terms of pure flexibility to update content. If you want to change the design or content of a mobile website you simply publish the edit once and the changes are immediately visible; updating. On the other hand, an App requires the updates to be pushed to users, which then must be downloaded in order to update the app on each type of device.

• Findability – Mobile Websites Can be Found Easily

Mobile websites are much easier for users to find because their pages can be displayed in search results and listed in search engines and industry directories. Most importantly, visitors to your regular website can be automatically sent to your mobile site when they are on a handheld device.

• Shareability – Mobile Websites Can be Shared Easily by Publishers, and Between Users

 Mobile website URLs are easily shared between users via a simple link (e.g. within an email or text message, Facebook or Twitter post). Publishers can easily direct users to a mobile website from a blog or website, or even in print. An app simply cannot be shared in this fashion.

I already have a website so no worries, right?

Wrong.  Unfortunately, your regular website is not going to cut it. There is a fundamental design difference between a regular website and a mobile website.

On a mobile phone, there is a very limited amount of screen space. If you have ever had to side scroll to view something on a website, you realize how much of an inconvenience it is. This is magnified on a mobile device. Even with the ability to turn the device lengthwise, the resolution is still extremely small.

There are numerous mobile phone emulators that can show you what your website will look like on a mobile device, and I can guarantee it is probably a terrible experience for a mobile device user.   Also, here are a few other facts to consider:

1) 1/5 of Americans access the mobile web each day

This percentage is increasing every year. If you’re not representing yourself on the mobile web, your competition surely will take up the opportunity.

2) Mobile web will overtake the desktop within 5 years

Not only will the mobile web inevitably overtake the desktop, but also usage and adoption is growing at a much faster rate than the desktop did. In the very near future, the vast majority of visitors to your website will be on a mobile device.

3) 93% of U.S. adults own a cell phone

Not all cell phones have Internet access capabilities, but that is currently the trend. Smart phones are not the only ones with access to the web. Standard phones are coming out with Qwerty keywords and website browsers seemingly every single month.

 4) Very few artists currently have mobile friendly websites 

Which means that if you’re reading this, chances are fairly high that you are already a step ahead of other artists competing for the hearts, minds and wallets of fans and industry executives alike.

5) Mobile advertising spending will surpass $6.5 billion in 2012

Ad spend is a great indicator for the current status of an industry. If someone is willing to spend their hard earned money putting their products in front of users on the mobile web, you can assume there is a pretty good reason for it. Furthermore, if they continue to spend more year after year, that indicates that the previous years investment paid off. And that is exactly how mobile advertising is trending across the board.

6) People average 13 hours online per week, up from 7 in 2002

As online usage increases regardless of the device used, accessibility is going to be the next lever to increase online usage.

As you can see, the mobile web is clearly trending up and has a lot of room to grow. If you're thinking about the future of your music career, a mobile website is the closest thing to a sure bet as you can get.


Isn't creating your own mobile website expensive?

Your cost depends on you. Specifically, your personal tastes, preferences, design requirements and your personal comfort level with Internet technology. Premium mobile design tools can set you back $300-500. That said, it doesn't need to. Services like VistaPrint and Wix actually allow you to create and maintain a mobile website for as low as $10.00 per month. Of course, you will have to learn how to use the tools which isn't as difficult as it sounds, even for beginners.

The value of having a mobile website will definitely be worth the cost and effort. You will have a site that fans, industry executives and the media can access, share and enjoy 24x hours a day, 7 days a week from virtually anywhere in the world!

If you can afford it, another option is to have someone else build and maintain your mobile website.  Reputable website designers will charge at a minimum a few hundred dollars for their services. Again, the costs it depends on your specific needs, situation and budget.

Whether you build your mobile site yourself or pay someone to do it, having a mobile website ensures that your market is larger and that you do not lose those valuable mobile visitors.

One last tip: be sure to promote your site to audience members at your gigs. A lot of people will instantly access your site and they may even pass it along to their friends while you're still on stage. Every little bit of marketing you can do goes a long way when you're just starting to make a name for yourself!

If you're reading this from your own personal mobile device, be sure to check out AMP's mobile site. And, if you already have a mobile website, please weigh in on the subject and tell us about your experiences!